Volumen Sintetico
The work is composed by 1629 earphones embedded in a 180 cm diameter wooden parabolic antenna and 24 electronic boards that distribute sound from a mp3 player to each earphone. The parabolic geometry allows for all the sound sources to
Volumen Sintetico
The work is composed by 1629 earphones embedded in a 180 cm diameter wooden parabolic antenna and 24 electronic boards that distribute sound from a mp3 player to each earphone. The parabolic geometry allows for all the sound sources to
Untitled
Vertical/Aerial listening of the city of Valparaiso. Exhibited at Festival de Arte Sonoro de Valparaiso, 2011 A microphone and a portable recorder were installed in a weather balloon which was slowly elevated from the center of the city of Valparaiso
Untitled
Vertical/Aerial listening of the city of Valparaiso. Exhibited at Festival de Arte Sonoro de Valparaiso, 2011 A microphone and a portable recorder were installed in a weather balloon which was slowly elevated from the center of the city of Valparaiso
Sound Development City
Sound Development City project, commissioned by Swiss cultural agency Sound Development. The project features a diverse range of practitioners from fields such as visual art, sound art, music, architecture and theater, as well as workshops and collaborations with artists including
Sound Development City
Sound Development City project, commissioned by Swiss cultural agency Sound Development. The project features a diverse range of practitioners from fields such as visual art, sound art, music, architecture and theater, as well as workshops and collaborations with artists including
FAINT SPACE
INTRODUCTION:PRIMITIVE LISTENING Since the Renaissance vision has held a the privileged position in the field of perception; industrialized developments of information and communication have furthered this favoritism. The world is images. The ocular-centrism in our culture modifies and exaggerates the
FAINT SPACE
INTRODUCTION:PRIMITIVE LISTENING Since the Renaissance vision has held a the privileged position in the field of perception; industrialized developments of information and communication have furthered this favoritism. The world is images. The ocular-centrism in our culture modifies and exaggerates the
SS – DEMONSTRATION
Manuela Infante, Camila Marambio, Trinidad Piriz, Renato Bernasconi, Ariel Bustamente June 2011 The Watermill Center, New York, USA What’s He Building in There? is the first part of an ongoing performance research project that brings into collaboration a theater director,
SS – DEMONSTRATION
Manuela Infante, Camila Marambio, Trinidad Piriz, Renato Bernasconi, Ariel Bustamente June 2011 The Watermill Center, New York, USA What’s He Building in There? is the first part of an ongoing performance research project that brings into collaboration a theater director,
untitled
Sound Installation: untitled, Exhibited at Festival de Artes Electronicas Transitio, Mexico, DF. September 2011 An external camera flash is located underneath each drum cymbal, two centimeters away from it. When triggered, it produces an intense luminosity that literally hits the
untitled
Sound Installation: untitled, Exhibited at Festival de Artes Electronicas Transitio, Mexico, DF. September 2011 An external camera flash is located underneath each drum cymbal, two centimeters away from it. When triggered, it produces an intense luminosity that literally hits the
Winipeg, Exhibited at Museo de la Memoria y los Derechos Humanos. Santiago de Chile
Installation, Exhibited at “Winnipeg, el exilio circular”. Museo de la Memoria y los Derechos Humanos. Santiago de Chile CMOS Cameras, 2 Tv sets, sprocket wheels, incandescent micro lights, small printed images and texts “los trenes llegaban de continuo hasta el
Winipeg, Exhibited at Museo de la Memoria y los Derechos Humanos. Santiago de Chile
Installation, Exhibited at “Winnipeg, el exilio circular”. Museo de la Memoria y los Derechos Humanos. Santiago de Chile CMOS Cameras, 2 Tv sets, sprocket wheels, incandescent micro lights, small printed images and texts “los trenes llegaban de continuo hasta el
